Mamiya Apo 200mm f/2.8 on Fuji GFX
The Mamiya Apo 200mm f/2.8 is a medium format lens for Mamiya M645 system. It covers a much bigger image circle than the Fujifilm GFX cameras, though it is smaller than that covered by the RB/RZ lenses such as the Apo-Sekor-Z 350mm.

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- Camera
- SONY ILCE-7RM2
- Lens
- Voigtlander MACRO APO-LANTHAR 65mm F2 Aspherical
- Aperture
- f/11.0
- Shutter
- 1/250 s
- ISO
- ISO 400
- Software
- ILCE-7RM2 v3.30
- Date
The lens mounted on my GFX 50R.

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- Software
- Adobe Photoshop CC 2019 (Macintosh)
Optical construction.
I found that there’s a “for SIGMA” tripod ring on Amazon that matches the diameter of the Fotasy M645-GFX adapter perfectly, so much so that the tripod foot is precisely at the center of gravity and you can balance the lens on just that.

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Adapter and tripod ring.

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Mounted on my tabletop tripod.

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Portrait orientation shooting.
My general impression is that the lens is fairly sharp stopped down to f/4 and beyond, but when wide open, it has noticeable spherical aberration, giving it a “glowy” look. Also, despite its APO designation, it has quite a bit of chromatic aberration, with purple fringing wide open, and green outlines around bokeh balls. I feel that the Leica Apo Telyt-R 180mm f/3.4 is quite a bit sharper than this lens and has way less CA, although that lens has some soft vignetting which the Mamiya does not have.
In my opinion, the Mamiya Apo 200mm shines on the 50 megapixel GFX cameras, where the slightly reduced sharpness is less of a concern.
In terms of contrast, being an older lens, it does sometimes have some haze or veiling flare, but this is not too big of a concern usually.
Anyway, since my Leica Apo Telyt-R 180mm f/3.4 does roughly the same thing as this lens while being sharper and more compact, I sold the Mamiya to a Pulitzer Prize-winning journalist, Kim Komenich.
Without further ado, here are some unprocessed full resolution photos, some on GFX 50R and some on GFX 100S!
1 Shots on GFX 50R

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- Camera
- FUJIFILM GFX 50R
- Lens
- 0 mm f/unknown
- Aperture
- f/NaN
- Shutter
- 1/220 s
- ISO
- ISO 400
- Software
- Digital Camera GFX 50R Ver1.00
- Date
Firetruck.

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- Camera
- FUJIFILM GFX 50R
- Lens
- 0 mm f/unknown
- Aperture
- f/NaN
- Shutter
- 1/420 s
- ISO
- ISO 400
- Software
- Digital Camera GFX 50R Ver1.00
- Date
St Anne of the Sunset church in San Francisco.

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- Camera
- FUJIFILM GFX 50R
- Lens
- 0 mm f/unknown
- Aperture
- f/NaN
- Shutter
- 3.2 s
- ISO
- ISO 100
- Software
- Digital Camera GFX 50R Ver1.00
- Date
Old Volvo P1800.

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- Camera
- FUJIFILM GFX 50R
- Lens
- 0 mm f/unknown
- Aperture
- f/NaN
- Shutter
- 15.0 s
- ISO
- ISO 100
- Software
- Digital Camera GFX 50R Ver1.00
- Date
Ferry Building. This was shot at f/8 and you can see the nice 8-pointed sunstars.

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- Camera
- FUJIFILM GFX 50R
- Lens
- 0 mm f/unknown
- Aperture
- f/NaN
- Shutter
- 1/2.5 s
- ISO
- ISO 100
- Software
- Digital Camera GFX 50R Ver1.00
- Date
Golden Gate Bridge.

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- Camera
- FUJIFILM GFX 50R
- Lens
- 0 mm f/unknown
- Aperture
- f/NaN
- Shutter
- 1/340 s
- ISO
- ISO 200
- Software
- Digital Camera GFX 50R Ver1.00
- Date
Zoox self driving car prototype.

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- Camera
- FUJIFILM GFX 50R
- Lens
- 0 mm f/unknown
- Aperture
- f/NaN
- Shutter
- 30.0 s
- ISO
- ISO 100
- Software
- Digital Camera GFX 50R Ver1.00
- Date
Cityscape of San Francisco.
2 Shots on GFX 100S

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- Camera
- FUJIFILM GFX100S
- Lens
- 200
- Aperture
- f/NaN
- Shutter
- 1/680 s
- ISO
- ISO 100
- Software
- Digital Camera GFX100S Ver1.32
- Date
Porsche 964 RS America.

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- Camera
- FUJIFILM GFX100S
- Lens
- 200
- Aperture
- f/NaN
- Shutter
- 1/900 s
- ISO
- ISO 100
- Software
- Digital Camera GFX100S Ver1.32
- Date
Porsche 964 RS America.

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- Camera
- FUJIFILM GFX100S
- Lens
- 200
- Aperture
- f/NaN
- Shutter
- 12.0 s
- ISO
- ISO 200
- Software
- Digital Camera GFX100S Ver1.32
- Date
Lotus Exige.

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- Camera
- FUJIFILM GFX100S
- Lens
- 200
- Aperture
- f/NaN
- Shutter
- 1/3500 s
- ISO
- ISO 100
- Software
- Digital Camera GFX100S Ver1.32
- Date
Tesla Model S.